Kino-Eye (Underground is for Everyone)

Nicolas Tourney, Kino-Eye

Kino-Eye is an electronic and instrumental work deconstructing film scores to produce an imaginary movie soundtrack.

From the look, from the spectrum, in front of the space which makes absence a resonance, there is this cinematographic matter which offered produces sound worlds. Nicolas Tourney uses aesthetics of repetition as a dynamic process - the practice of continuous sound emphasizing the dialogue of perspectives rather than themes of reflection: the breath that leaves imprints in a spongy and slightly soft kinematic memory.

Kino-Eye contains 22 sound-walks which are the day-to-day archives of a progressive erasure.


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